Friday, April 22, 2011

Russian Roulette (Is Still for Suckers)

An effect I see coming up time and again is the old Russian roulette plot. For those unfamiliar, this is also sometimes called Smash and Stab. A sharp spike is placed under a cup and mixed up with several others, usually making a row of 5. The magician smashes them one by one with his hand, sometimes a spectator's until only the one with the spike under it is left and revealed.

Before I open both barrels, let me get a couple lesser concerns out of the way. I've seen this effect performed as a closer most often. The idea is that the danger element ramps up the drama. But it's still only a 1-in-5 chance, then a 1-in-4, 1-in-3, and finally a 50/50 shot. Statistically, it's not all that impressive. It's better as an opener or somewhere in the middle.

That said, it also requires a certain amount of showmanship because again, it's just not that statistically impressive. It's entirely possible to luck out on it. You need a proper theme and hook to get people to buy into it as mental magic or mentalism, which is not easy to do. Trying to motivate this effect can be pretty difficult even for veteran performers.

Now that we've got that out of the way, let's turn to the elephant in the room. It's just not very good taste. The whole danger element is cheap when you get right down to it. Seriously, why on earth would you do this to yourself? Only a handful of methods are completely failure proof. If you go to YouTube, you'll find videos of this effect going wrong. Unless you have a strong stomach, can't say I recommend it.

And if you use another person's hand, I have to ask: What the hell is wrong with you?! Even if you use a fool-proof method, it's still in bad taste. At no point should you ever put a member of your audience at risk for physical harm. Even if you leave aside the ethical problems, you're still making yourself liable. So in case you're callous enough to go through with endangering their hands over your own, know that their lawyer will want to have a little chat with you if things go wrong.

The plot of the effect isn't the problem. I've seen versions that use an egg instead of a spike, one that replaces the cups and spike with cans of silly string, and Rick Maue's Terasabos is a very effective variation on the theme. The problem is that most people don't know how to use it. They mistake the possibility of self-mutilation for well-constructed drama. If you're going to use this plot, exercise some discretion and a modicum of taste.

1 comment:

  1. I have to say, whilst I agree with the majority of what you say here, I disagree with what you say about statistically, this not being impressive. This is because of the danger element, which I'll address in a minute. Whilst it might not be as impressive statistically as some other effects, it's still enough to convince the spectator. I can't be bothered to work out the odds of succeeding at this just by chance, but they can't be great. I mean given that you can get away with a 1 in 5 effect and still make it seem amazing, this trick should be brilliant. Also, based on the fact that if it goes wrong, the consequences are bad, it is assumed that you know what you're doing, which is what really impresses an audience, I think. Just because you possibly COULD do this just through chance, someone just wouldn't risk that. That said, this could possibly also lessen the tension, as somewhere, most audience members must know that you are going to get this right, otherwise you wouldn't be doing it. I do agree with most of what you have to say here though. A good post, as always.

    ReplyDelete