Spooky Magic 101, part VI

And now we come to the final stretch of our dark little journey. As promised, I'll be answering questions from the readers.

"One thing the horror genre does that I love is the suspense. That on your seat 'no way! is that really going to happen' or the 'whoa what's happening next' and I think that should be in a lot of magic. Could you elaborate on suspense and ways to reach that edge on seat moment."
-Shawn Mullins

Learning how to create suspense isn't as complicated as most people think. It's strictly a matter of setup and payoff. You need to give people a reason to care in the setup, and then spend just enough time teasing them with the payoff before delivering it. What distinguishes the suspense in horror is the contrast between not knowing and the understanding that knowing might actually make it worse.

In a suspense movie, a detective enters a room to investigate with his flashlight and the hitman he's pursuing is hiding behind the door waiting for the chance to get the drop on him. You're yelling at the screen, "Behind you, look out!"

But in horror, you don't know what's waiting for the protagonist. You don't want him to go where there might be danger because your mind is conjuring up all sorts of horrible ways he might get slaughtered. The anxiety and ignorance are compounded by a feeling of helplessness. It's like having the monster standing right behind you and you know he's about to do something, but you don't know what, but he's not doing it and the waiting makes you feel even worse, but you don't want to look behind you because that'll really piss him off!

To create horrible suspense, you must suggest to the audience that they want to know the payoff even though that will just make things worse.

"[W]hen performing spooky magic, how far do you think we, as magicians, should take the spookiness? ...[S]hould we be allowed to scare an audience and leave them scared?"
-Reg

Good question. Where one draws the line is very difficult to decide on. There are a lot of things that a good professional would agree should not be done. For example, don't do anything that might traumatize children. Don't murder a stooge on stage and then have him stay out of sight for the rest of the evening. But it's not always clear cut. More often than not, it should be left up to the judgment of the individual performer after he has taken careful consideration of the overall tone of his show and the makeup of his audience.

As for leaving an audience scared, yes that is acceptable. Provided that's what they actually paid for. Keep in mind that a lot of horror novels and movies end with no real positive resolution. They keep us feeling afraid long after it's over. However, it's not always appropriate. And even if you do, there needs to be something to help release a little tension. Take Psycho for example. At the end, Norman is brought into custody and a psychologist is explaining to the audience in a long, talky scene about Norman's sickness. After the heart-pounding tension of the climax we as an audience need this release. But then... we hear "Mother's" inner monologue at the end suggesting that she's even more evil than the psychologist suspected. Way up, then slowly wind back down, and then a slight lift up again at the very end. Perfect.

To sum up, let them off the hook just a little bit. You want them to come down from the tension of the climax. It's the ups and downs, the peaks and valleys of emotion that make an experience memorable.


That's all the questions I received, and I hope I was able to provide answer. Later this month will come a few reviews and 5 More Ways You're Secretly Sabotaging Your Performances.